Architectural Lighting Awards: The Metropolitan Museum of Art, the Wrightsman Galleries San Francisco, New York, Minneapolis
Auerbach Glasow Frenchectural Lightiesigd Consultihas won worldwide lighting design honours for your lately refurbished and reinstalled Wrightsman Galleries for French Decorative Arts within the Metropolitan Museum of Art, New You’ll be able to, NY. The Worldwide Association of Lighting Designers (IALD) Award of Excellence, among the finest recognition written by that program, was granted for the design team and presented on May 6, 2009. In addition, the Award of Merit in the Worldwide Illumination Design Honours was granted in to the designers with the Lighting Engineering Society from the U . s . States (IESNA). The IESNA Award was introduced on May 12, 2009, and you’ll be presented on November 15, 2009, within the IES Annual Conference.
Robin Guthriied aged 7evot larmount of his er tow improvement within the social fabric of Britain at local and national levels. He offered in a number of key roles, as director within the Ernest Rowntree Foundation, as chief charity commissioner to make sure that as director of social and economic matters inside the Council of Europe.
A painting of mares and foals, which has been in the same family collection since George Stubbs painted it in 1768, is expected to set a new record for the artist’s work of up to £15m when auctioned at Sotheby’s next week.
The Fitzwilliam Museum in Cambridge is one of my favourite art galleries. So I am pleased it is making its name nationally: it has just set a record for attendances with its acclaimed exhibition Vermeer’s Women. This ambitious show broke the convention that high-class regional museums like the Fitzwilliam tend to put on worthy examinations of Victorian art or a few drawings. It homed in on a great and glamorous painter, and got 150,000 visitors.
It isn’t every library that shows ancient Chinese manuscripts alongsiostcards of Sarah hardt, falling apart Iraqi newspapers near maps from the ” New World “, and Rabelais originals near the voice recording of the 101-year-old former slave named Fountain Hughes.
The Large Guy, just up in the coal mine, looks fit to burst with mirth. Tewhaven fishwife, er candy striped skirt, presents a triumphantly empty basket. Within the factory, the 19th-century cloth weavers pause using their labors prior to the camera’s protracted gaze, however the child within the Glasgow slum cannot keep so still. He leaves a trace of themself, just a little shivering ghost peeping from a entrance in Close, No 46, Saltmarket.
A collection of 57 old masters worth around £100m – some bought for as little as £100 apiece in the mid-20th century – are to be formally given to the nation, with strings attached. If any attempt is made by the host museum to charge for admission; or any item from their collection is put up for sale, the Art Fund, the charity that is donating them, can take them back.
Original drawings from the creators of some of the best loved children’s books of all time, including Quentin Blake and Eric Carle, have gone on public display for the first time before an auction at Sotheby’s on Thursday to raise funds for a permanent £6.5m museum of illustration in London.
The European Museum Forum is inviting European museums to take part in the competition for the European Museum of the Year Award 2011 (EMYA 2011). The Award was established in 1977 and is the most prestigious of its kind in Europe. It will be presented for 34th time in 2011. Throughout these years, EMYA has been a dynamic tool for the recognition of innovation, excellence and public quality in museums. It helped to explore the changes in the European museum field and it served as an instrument of international networking, bringing together the most advanced projects and people in the museum profession.